By John Lechte
A prime literary critic and psychoanalyst, Julia Kristeva is among the most vital French thinkers writing this day. during this updated survey of her paintings, John Lechte outlines totally and systematically her highbrow improvement. He lines it from her paintings on Bakhtin and the good judgment of poetic language within the Nineteen Sixties, via her influential theories of the ‘symbolic’ and the ‘semiotic’ within the Nineteen Seventies, to her analyses of horror, love, depression and cosmopolitanism within the Eighties. He presents an perception into the highbrow and historic context which gave upward thrust to Kristeva’s idea, exhibiting how thinkers comparable to Roland Barthes, Emile Benviste and Georges Bataille were very important in stimulating her personal reflections. He concludes with an total review of Kristeva’s paintings, having a look specifically at her value for feminism and postmodern idea in general.
Essential interpreting for all those that desire to expand their figuring out of this significant philosopher, this primary full-length research of Kristeva’s paintings might be of curiosity to scholars of literature, sociology, serious thought, feminist concept, French stories and psychoanalysis.
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Additional info for Julia Kristeva
4 See Richard Klein, 'Prolegomena to Derrida', Diacritics (Winter, 1972), p. 29. 28 Setting the intellectual scene 5 See Stuart Schneiderman, 'Afloat with Jacques Lacan', Diacritics (Winter, 1971), p. 27. 6 Julia Kristeva, 'Mémoire', L'Infini, no. 1 (Winter, 1983), p. 42. 7 See below, Chapter 3. 8 According to a number of observers, Alexandre Kojéve's lectures on Hegel at the Ecole Pratique des Hautes Etudes from 1933 to 1939 were quite fundamental here. See Vincent Descombes, Modern French Philosophy, trans.
Felman makes liberal use, for example, of Lacan's work. It is illuminating, I think, to reflect briefly upon Felman's own performative, in order to see if there is not what some would see as just a little (too much) 'Frenchness' in this way with theory. To begin with, it strikes us quite forcibly that Felman's mode of analysis is highly nuanced, endlessly reflexive, and analytically sophisticated. Furthermore, the focus of her study is as much, if not more on the unconscious level of Austin's text, as it is on the conscious level.
Urmson and Marina Sbisa (Oxford, Clarendon Press, 2nd edn, reprinted 1980), p. 133. "', p. 303. 31 2 The effect of the unconscious The unconscious is structured like a language. Jacques Lacan On 7 November 1955, Jacques Lacan - doctor of medicine, psychoanalyst, friend of surrealism - 'officially' announced his famous 'return to Freud' in a paper given at a neuro-psychiatric clinic in Vienna. 1 Unofficially, the 'return' had been under way at least since the end of the Second World War 2 and probably since Lacan's first presentation of the 'mirror stage' in 1936 - although the notion of 'return' is not explicitly mentioned there.