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Computer Music Modeling and Retrieval. Genesis of Meaning in by Mitsuko Aramaki, Mireille Besson, Richard Kronland-Martinet,

By Mitsuko Aramaki, Mireille Besson, Richard Kronland-Martinet, Sølvi Ystad (auth.), Sølvi Ystad, Richard Kronland-Martinet, Kristoffer Jensen (eds.)

This publication constitutes the completely refereed post-conference court cases of the fifth overseas Symposium on computing device song Modeling and Retrieval, CMMR 2008 - Genesis of that means in Sound and song, held in Copenhagen, Denmark, in could 2008.

The 21 revised complete papers provided have been especially reviewed and corrected for this court cases quantity. CMMR 2008 seeks to magnify upon the feel of Sounds-concept via taking into consideration the musical constitution as an entire. extra accurately, the workshop can have as its subject Genesis of which means in Sound and track. the aim is hereby to set up rigorous learn alliances among laptop and engineering sciences (information retrieval, programming, acoustics, sign processing) and components in the humanities (in specific conception, cognition, musicology, philosophy), in addition to to globally handle the inspiration of sound which means and its implications in tune, modeling and retrieval.

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Extra resources for Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music: 5th International Symposium, CMMR 2008 Copenhagen, Denmark, May 19-23, 2008 Revised Papers

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Of course, training will improve the performance of listeners who try to analyze musical structures from pieces played on a carillon. 5 3 4 5 An illustrative and easily available example is found on the CD Music from the morning of the world, rec. by David Lewiston in Bali (Elektra/Asylum/Nonesuch Records 1988), no. 2 (gamelan gong kebyar: baris; gambang betjak ). Also, The Music of Bali, rec. , Kebyar trompong, Ujan Mas). Good examples are found on the CD Torenmuziek Dordrecht. Beiaardmuziek van Staf Nees.

Musical Imagery, pp. 95–116. Swets & Zeitlinger, Lisse, Abingdon (2001a) 50. : Sound, Pitch, and Scale: From “Tone measurements” to sonological analysis in ethnomusicology. Ethnomusicology 45, 489–519 (2001b) 51. : Foundations of Systematic Musicology: a study in history and theory. In: Schneider, A. ) Systematic and Comparative Musicology: Concepts, methods, findings, pp. 11–61. P. Lang, Frankfurt/M. (2008) 44 A. Schneider and K. Frieler 52. : Sonological and psychoacoustic Characteristics of carillon bells.

Moreover, sounds as that used in this experiment will also give rise to difference and combination tones if presented with sufficient SPL. 22 A. Schneider and K. Frieler Fig. 3. SACF (100 ms), pure major chord Table 1. 44 One can take sounds such as that analyzed here as a paradigm for Stumpf’s concept of consonance, which comprises both ’fusion’ (Verschmelzung) and apperception of tonal relations (Schneider 1997a, 2008, 30-33). A musically trained listener (as was Stumpf himself), exposed to a complex harmonic chord audible for a sufficient time (> 2 seconds), can be expected to switching back and forth between a more holistic and integrative mode of hearing as well as a more analytical Perception of Harmonic and Inharmonic Sounds: Results from Ear Models 23 one; whereas the former will support the experience of ’fusion’ as a Gestalt phenomenon, the latter is needed to apprehend the tonal relations between complex tones as well as between their constituents (Stumpf 1926, ch.

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