By Louisa May Alcott
Louisa may perhaps Alcott’s little-known novella is an inventive learn of deception, betrayal, and the ruthless strength of a lady scorned.
When demure Scottish governess Jean Muir arrives at a filthy rich family, the family members couldn’t be extra overjoyed with their younger new resident and locate themselves beguiled through her grace and sweetness. yet this hand over to her innocent’ charms quickly units the lads quarreling for her cognizance, with the ladies beside themselves with jealousy. overjoyed along with her luck, omit Muir units her attractions at the maximum prizebut she has purely 3 days to say victory prior to the reality, in the back of her masks, might be exposed.
American novelist Louisa may perhaps Alcott is better remembered for the perennially well known Little Women.
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Extra info for Behind a Mask: Or, a Woman's Power (The Floating Press)
Lewis, in his classic study The American Adam, took note of this 12 ● Language and the Renewal of Society difference even as he accepted its blurring. “I must distinguish between the notion of progress toward perfection and the notion of primitive Adamic perfection,” he wrote, adding, “Both ideas were current [in the nineteenth century], but they overlapped and intertwined” (5 n. 5). What allows the two notions to be reconciled is the erasure of history. As Lewis notes, the Adamic man—and the figure is emphatically masculine—is “an individual emancipated from history, happily bereft of ancestry, untouched and undefiled by the usual inheritances of family and race.
Riding) Jackson used the word “truth” to describe this oneness of minds—which she understood in Spinozist terms— and her poems give continual testimony to it, as do her post-poetic critical writings, especially The Telling. Whitman and Olson wrote poems that give inklings of this higher state of knowledge and awareness, Whitman in particular. All of “Song of Myself” is a hymn to the unity of mind and world, a paean to this oneness of minds in society. Finally, poems can describe and so help to produce a desire for the utopian moment when words will become perfectly adequate to things, producing higher awareness and happiness and renewing society.
The dialogue as a whole follows the course of Socrates’s attempts to prove both Hermogenes and Cratylus wrong in their positions on language, at first from the standpoint of Mimetism (presented as a rational mediation between Conventionalism and Naturalism), eventually from the standpoint of Idealism, a rupture in the understanding of language and its epistemological possibilities as previously presented in the dialogue. The Idealist position considers language philosophically insufficient as an instrument of knowledge, conceiving of the true as outside the realm of the representable.