By C. Richard King Washington State University, Carmen R. Lugo-Lugo, Visit Amazon's Mary K. Bloodsworth-Lugo Page, search results, Learn about Author Central, Mary K. Bloodsworth-Lugo,
Animating distinction reports the best way race, ethnicity, sexuality, and gender are portrayed in fresh lively movies from 1990 during the current. starting from Aladdin to Toy tale to Up, those well known motion pictures are key media during which teenagers (and adults) find out about the realm and the way to act. whereas racial and gender stereotypes is probably not as noticeable as they could were in motion pictures of a long time previous, they typically proceed to exhibit troubling messages and stereotypes in refined and magnificent methods.
Read Online or Download Animating Difference: Race, Gender, and Sexuality in Contemporary Films for Children (Perspectives on a Multiracial America) PDF
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Extra info for Animating Difference: Race, Gender, and Sexuality in Contemporary Films for Children (Perspectives on a Multiracial America)
The films themselves have mutated: sequels have become commonplace; television programs have become increasingly lucrative (for instance, Disney incorporated a spin-off 23 CHAPTER 2 of The Emperor’s New Groove into its Saturday morning lineup and Nickelodeon is developing a series featuring the penguins from the Madagascar films); and live action shows (Disney on Ice or The Lion King on Broadway come immediately to mind) have emerged as a new crossover possibility. Finally, as was the case with Up, even when toys or other ancillaries are more difficult to develop, film studios routinely establish marketing campaigns and corporate partnerships with multinationals better known for selling other products, perhaps only tangentially related to the film itself.
And school’s in session,” and “Hey, sweetie. ” At the same time, we hear the girl and boy lemurs being taught their separate mating lessons. ” All of the lemurs then embark upon heterosexual pairings, and all are successful, except for Zini, who reassures himself by saying, “Before you know it, she’ll be wanting a bigger tree” (that is to say, “women are trouble”). Zini is appointed the only bachelor of the clan—except for Aladar, who has not yet found others “like himself” (that is, other dinosaurs).
We can also find Ernie and Bernie (two Rastafarian jellyfish, 40 “L OOK OUT NEW WORLD, HERE WE COME”? complete with Jamaican accents) who work for Sykes; Lino (an Italian-American-accented Mob shark and master of the reef), and Mrs. García (an overweight, middle-aged, single, Mexicanaccented female fish, with permanent rollers in her hair) who also lives in the ghetto. These are just a few examples. However, we can also locate nuances in the ways that these characters are racialized. For instance, not only is Oscar racialized as black, we can also see an ethnicization of race whereby Oscar is constructed as a black American.