By Stephan Wolohojian, Anna Tahinci
Grenville L. Winthrop (1864-1943) used to be a legal professional and banker via career, yet his actual ardour was once amassing artwork. He had the assets, the instinct and proficient advisers to assist him create a suite that's specific not just in its intensity and breadth, but in addition in its caliber. The Winthrop number of French, British and American artwork comprises the easiest team of Delacroix and Ingres drawings open air of France, the main major workforce of pre-Raphaelite work outdoor of england, and a world-renowned choice of Sargent watercolours. a few 70 work and two times as many drawings and watercolours via greater than 50 French, British and American artists are featured during this choice from the Winthrop assortment, bequeathed in 1943 to the Fogg paintings Museum at Harvard college. Masterpieces via David, Ingres, Gericault, Chasseriau and Moreau might be noticeable along nice works via Blake, Rossetti and Burne-Jones, in addition to Homer, Sargent and Whistler. they're mentioned within the catalogue by way of greater than 60 authors, all of whom are gurus of their quite a few fields.
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Extra resources for A Private Passion 19th-century Paintings and Drawings from the Grenville L.Winthrop Collection, Harvard University
Which was known closer attention. I' 1 Finbe- Cotswold Gallery, London, only and the intimacy they shared, particularly Turner mid- 1930s. Alexander 1936, the which he in Cambridge. Mas&, 1969, Bullard to Norton asking tor his Durer's Knight, Death and the abroad. Bullard left for Germany, where he studied philosophy, and when his frail purchased (March constitution finally Italy to recuperate. weakened from Back in the trials of Teutonic Boston he continued to life, he went south of the Alps to HUAM Archives).
35). Through Wildenstein and Company most remarkable acquisitions works on Scapin this roster are (cat. no. 15), no. 91), Vincent in the area in New York, he made some of of his and Birnbaum's focused Pierre-Auguste Renoir's Spring Bouquet interest. (cat. no. 1 10), (cat. no. 46), and Ingres's Odalisque with 1886. 89 Among the Daumier's Claude Monet's Road toward the Farm Saint-Simeon, Honfleur van Gogh's Blue Cart his (cat. the Slave, Fig. 35. Canalerto, Pia^a San Marco, Venice, 1730—35. Oil on canvas, 30 x ca.
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