By Robert Paul Lamb
A significant other to American Fiction, 1865-1914 is a groundbreaking selection of essays written by way of best critics for a large viewers of students, scholars, and basic readers.
- An quite broad-ranging and available Companion to the examine of yankee fiction of the post-civil struggle interval and the early 20th century Brings jointly 29 essays through best students, each one of which provides a synthesis of the simplest examine and gives an unique viewpoint
- Divided into sections on old traditions and genres, contexts and subject matters, and significant authors
- Covers a mix of canonical and the non-canonical issues, authors, literatures, and important methods
- Explores leading edge subject matters, akin to ecological literature and ecocriticism, children’s literature, and the effect of Darwin on fiction
Chapter 1 The perform and advertising of yankee Literary Realism (pages 15–34): Nancy Glazener
Chapter 2 pleasure and realization within the Romance culture (pages 35–52): William J. Scheick
Chapter three The Sentimental and family Traditions, 1865–1900 (pages 53–76): Gregg Camfield
Chapter four Morality, Modernity, and “Malarial Restlessness”: American Realism in its Anglo?European Contexts (pages 77–95): Winfried Fluck
Chapter five American Literary Naturalism (pages 96–118): Christophe Den Tandt
Chapter 6 American Regionalism: neighborhood colour, nationwide Literature, international Circuits (pages 119–139): June Howard
Chapter 7 girls Authors and the Roots of yank Modernism (pages 140–148): Linda Wagner?Martin
Chapter eight the fast tale and the Short?Story series, 1865–1914 (pages 149–174): J. Gerald Kennedy
Chapter nine Ecological Narrative and Nature Writing (pages 177–200): S. ok. Robisch
Chapter 10 “The Frontier Story”: The Violence of Literary historical past (pages 201–221): Christine Bold
Chapter eleven local American Narratives: Resistance and Survivance (pages 222–239): Gerald Vizenor
Chapter 12 Representing the Civil struggle and Reconstruction: From Uncle Tom to Uncle Remus (pages 240–259): Kathleen Diffley
Chapter thirteen Engendering the Canon: Women's Narratives, 1865–1914 (pages 260–278): Grace Farrell
Chapter 14 Confronting the main issue: African American Narratives (pages 279–295): Dickson D. Bruce
Chapter 15 Fiction's Many towns (pages 296–317): Sidney H. Bremer
Chapter sixteen Mapping the tradition of Abundance: Literary Narratives and patron tradition (pages 318–339): Sarah method Sherman
Chapter 17 secrets and techniques of the Master's Deed field: Narrative and sophistication (pages 340–355): Christopher P. Wilson
Chapter 18 Ethnic Realism (pages 356–376): Robert M. Dowling
Chapter 19 Darwin, technology, and Narrative (pages 377–394): Bert Bender
Chapter 20 Writing within the “Vulgar Tongue”: legislations and American Narrative (pages 395–410): William E. Moddelmog
Chapter 21 making plans Utopia (pages 411–427): Thomas Peyser
Chapter 22 American kid's Narrative as Social feedback, 1865–1914 (pages 428–448): Gwen Athene Tarbox
Chapter 23 an idea of Order at harmony: Soul and Society within the brain of Louisa may perhaps Alcott (pages 451–467): John Matteson
Chapter 24 the US Can holiday Your center: at the value of Mark Twain (pages 468–498): Robert Paul Lamb
Chapter 25 William Dean Howells and the Bourgeois Quotidian: Affection, Skepticism, Disillusion (pages 499–517): Michael Anesko
Chapter 26 Henry James in a brand new Century (pages 518–535): John Carlos Rowe
Chapter 27 towards a Modernist Aesthetic: The Literary Legacy of Edith Wharton (pages 536–556): Candace Waid and Clare Colquitt
Chapter 28 Sensations of favor: The Literary Realism of Stephen Crane (pages 557–571): William E. Cain
Chapter 29 Theodore Dreiser and the strength of the private (pages 572–585): Clare Virginia Eby
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Extra info for A Companion to American Fiction 1865-1914
Therefore, the Century in 1885 brought together three authors whose works effectively defined the public’s understanding of American realism at the time. All three novels took up easily identifiable social controversies. Twain’s novel displaced contemporary racial tensions onto an antebellum plot in which white Huck Finn, son of the town drunk, befriends Jim, an escaped slave. 2005 11:28am Nancy Glazener true justice and the legal code. And The Bostonians rolled together spiritualism, women’s rights, and Northern ambivalence about the post-Reconstruction South into a tense love triangle, one element of which was an erotically charged commitment between two women.
It will not need to elaborate a black background of misfortune to serve as a foil for doubtful happiness, but will exhibit an activity so splendid that it must shine in relief upon the dingy gray of ordinary circumstances, duties, and relations. (Anon. 1857: 96) The version of romance presented here does not sound much like Hawthorne’s, Scott’s, or Cooper’s novels, but the polemic exemplifies several of the ways in which realism came to be differentiated from romance. 2005 11:28am 19 cultivate realist expectations in readers (Glazener 1997: 23–50).
Anon. 1857: 96) The version of romance presented here does not sound much like Hawthorne’s, Scott’s, or Cooper’s novels, but the polemic exemplifies several of the ways in which realism came to be differentiated from romance. 2005 11:28am 19 cultivate realist expectations in readers (Glazener 1997: 23–50). Romance is here linked to the old world and to old-fashioned or obsolete materials (princesses and beggars, presented as material for love plots). The presence of the opera-dancer associates romance with popular entertainments (opera not having yet been monopolized by elite urbanites, as Lawrence Levine has explained) and with the dime novels or story papers that might feature such a character.